Unless OKC was just strangely synchronistic with recent traumas, perhaps a concerning side-effect of this steady diet of disaster is that all the imagery starts to run together.

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Most powerful images make it to the forefront by also tapping into our cultural and visual memory.

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How is it Svenson didn’t know that, in a city build on wealth and status, money — floating glass boxes or not — also buys you transparency?

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the visuals of the war effort have descended largely into parody.

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What does it say when an actor, known for symbolizing ruthless corporate types, “goes the other way?”

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