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January 31, 2013

Camel Jockeys, Mexican Desperados, Male Bashing Show Girls: Coke’s ‘13 Super Bowl Chase Ad

Screen Shot 2013 01 31 at 2 26 20 PM

Well, I’m dying to know which ending of the Coke Chase/Mirage Super Bowl ad you’re going to vote for! Really though, it’s impressive the way it simultaneously works the racial and gender angles while also exploiting the latest broadcast strategy of audience engagement.

Of course, the central device is how the ad plays off the desert … and the “great race” (both the movie and American exceptionalism).

Screen Shot 2013 01 31 at 12 20 49 PM

With the West in an endless struggle in the Middle East not just for resources but mindshare, we see the Coke bottle — the symbol of globalization and American commercialism — sitting there in the hot sand, the object of desire for, first of all, this hapless Gulf prince/camel jockey.

It’s funny but not-so-funny when you consider that what America has to offer is, in fact, a mirage. What the ad people realize I’m sure is that, after more than a decade in Iraq and Afghanistan, the idea of “quenching” — no matter how much you “put down” the Arabs and Islamists — couldn’t be more ironic.

Screen Shot 2013 01 31 at 2 27 42 PM

Resonating also with what surely is not going to be a easy and clean immigration debate, we then have a Hispanic desperado evoking the desert as if the province of thirsty Mexicans looking north. (Maybe the nationalist twist here is “Coke is amnesty” vs. “Coke is it.”)

Screen Shot 2013 01 31 at 12 21 09 PM

And then, what’s a Super Bowl without intense pandering to the female demographic by trumpeting instance after instance of women emasculating that lower life form, otherwise known as the American male.

Playing the eye candy/titillation card at the same time it empowers, today’s modern woman is represented by a Las Vegas showgirl troop. Sexy as they are tough and independent (the driver symbolically head butts a biker off the windshield like a bug), the ad  actually brought to my mind the horrific and unsolved disappearances and murders of so many women in Mexico.

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Perhaps an extreme allusion, that’s where my mind went watching the women on the bus punishing the leering Latino with an ejaculation of confetti.

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Obviously, these commercials are a complex mash of every seducing and agitating cultural hook they can metaphorically lay claim to. Perhaps the biggest symbolic take-away here, however, is that — when it comes to the women and Hispanics as target markets, playing simultaneously on their subjugation as well as their empowerment — why would Coke leave African-Americans as the only demographic group the Djangos unchained on the screen this year?

Now the only question is, with just one Coke in the budget, who wins?

(screenshots: Coke Chase Super Bowl ad)

  • black_dog_barking

    I haven’t seen the film but the showgirls on the bus in the desert has to be connected somehow, in some Mad Men probing of the id, to Priscilla, Queen of the Desert. I’ve never had much luck unpacking the handiwork of those guys but they are very good at what they do. There’s “mad”-ness to their reason.

    It’s funny but not-so-funny when you consider that what America has to offer is, in fact, a mirage.

    A another reading along the same lines: it’s funny, too, when you consider that what America has to offer is sugar water.

    • lq

      I too thought of Priscilla, Queen of the Desert, and wondered at the change from transvestite show persons to Las Vegas show girls. Very confusing and stupid.

  • BamaGuy1024

    Yes! Brilliant analysis of the commercial. Coca Cola, the iconic symbol of American corporate globalization is indeed a mirage, what it really is is indeed sugar water, empty calories nobody needs. Placing the bottle in the desert makes it analogous to our occupation of the Middle East, and in the commercial it is the only thirst quenching thing, as if America is the savior and having all these stereotypes rushing towards it – only to find: IT ISN’T REAL, just a symbol with a sign saying 50 Miles = you aren’t there yet, WOW

  • http://www.futurebird.com Susan Donovan

    I the latino guy can also read as black. His race is ambiguous. So much so that people will see what they want.

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