Did someone say, two Americas?
Continue ReadingWhat's so powerful about Guttenfelder's nuke disaster photos is how "silent" and humbling they are, framing the disaster as an "ego check" and portentous of a future without us.
Continue ReadingThe first one is from emerging China; the second from declining Greece.
Continue ReadingNow, if you weren't paying really close attention, the logic and flow of the tour would leave you thinking you saw these houses from Mitt's car window.
Continue ReadingWas there a shoe and suit credit on an inside page somewhere, perhaps?
Continue ReadingOn first pass, the photos might not seem that far apart, but then, the askance glance, the kids less connected than just "doing what you do...."
Continue ReadingThis picture as a photographic object must undergo the same difficult process of interpretation – is it a kind of pornography or a protest item that raises the awareness of FEMEN’s cause?
Continue Reading... And then, shockingly (talking about how a photo can seem like a template), today's newswires are full of more Greek policeman on fire.
Continue ReadingWithout uttering a word, the juxtaposition raises two of the most significant critiques I've had of war photography.
Continue ReadingLooking for photographs that tackle this brutal recession, one of the first names that comes to mind -- for eloquence as well as diligence -- is Getty's John Moore, recognized this week with a World Press Photo award.
Continue ReadingSo, does does Samuel Aranda’s 2011 World Press Photo of the Year, honoring the Arab Spring, too much resemble the Pietà? Or, is that the only place where Western eyes can hang their hat?
Continue ReadingSo, how did Obama succeed in being recognized as a regular Joe? In part, its been the steady distribution of unremarkably remarkable visual comfort food.
Continue ReadingThis campaign photo by AP's Evan Vucci does something respectful and noteworthy. Exploited as props, it recognizes the presence and mind-numbing grind of the American assembly worker.
Continue ReadingIt is strikingly clear that musician-turned-humanitarian Bono, not Ghana (nor any needy child), takes the starring role in Adrian Steirn’s Pictures from Ghana.
Continue ReadingGOP's presidential gladiator match throws assuming media to the lions ... again.
Continue ReadingIt may be safer to say that Chrysler’s Halftime in America ad is more accurately seen through the lens of doctored video footage to be a pro-corporate, anti-union advertisement than any other kind of political statement.
Continue ReadingTurning one of the Tea Party’s favorite verbal punch lines - that Barack Hussein Obama is trampling the U.S. Constitution - into a feast for the eyes.
Continue ReadingScience fiction has always been about the present, and about the relationship between politics and society. The Super Bowl is a relative newcomer, but thanks to the power of spectacle it’s catching up fast.
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