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January 6, 2012

Santorum’s Spell: Photographer M. Scott Brauer in New Hampshire

Photographer M. Scott Brauer is on the ground in New Hampshire for BagNews. We will be posting his images through the primary.

If the media is paid to be juiced about Campaign ‘12, the turnout in Iowa indicated that the public — for the months-on-end of politicking and beseeching — is much less so. Now, it could just be that “the Santorum effect” hitting New Hampshire is simply the latest, abbreviated, “not-Mitt honeymoon.” Still, the photos from the appearances M. Scott Brauer covered yesterday (perhaps the incentive for the glow) revealed riveted audiences. Notice how Santorum even outpolled a lollipop.

But then, perhaps the reason for the rapt attention was because Santorum re-gave Tuesday night’s compelling speech in Iowa about his humble roots and his disabled daughter? Not close. At this town hall meeting in Northfield, in fact, he was talking about economic policy and how Treasury bills are a Ponzi scheme. Go figure.

PHOTOGRAPHS by M. Scott Brauer

MScottBrauer.com

dvafoto photoblog

About the Photographer

M. Scott Brauer

M. Scott Brauer was born 1982, Landstuhl, Germany, to American parents. Grew up in various locations in the US, but Montana is home. Currently based in Boston, Massachusetts. Graduated with honors from the University of Washington with dual degrees in philosophy and Russian literature and language in 2005. Interned at Black Star and VII New York in 2005. Worked for daily newspapers in 2006 and 2007: the Northwest Herald in suburban Chicago, and the Flint Journal in Flint, Michigan. Moved to China in 2007. Represented by Invision Images, Aurora Select, and On Asia. Clients and publications include: The New York Times, Fader magazine, the Wall Street Journal, Time Asia, That’s Shanghai, Epsilon (Greece), Vision magazine (China), Lufthansa, Bosch, Amity Foundation, Pfrang Association, Colorlines, World Magazine, Map Magazine (China), AM New York, and XAOC magazine. See more of Scott's work for BagNews here .

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