April 22, 2010
Anthony Suau: Success or Sarcophagus?
Anthony Suau won the World Press Award last year for his coverage of the collapsing American economy, and he has continued to focus on the continuing Great Recession and its impact on ordinary people. This work helped inspire and is part of a new non-profit collective of photographers and writers of which he is one of the founders: FACING CHANGE: DOCUMENTING AMERICA. You will hear a lot more about FCDA in the months and years to come. Currently, a major exhibition of Anthony’s images of the last ten years was produced by the Moscow House Of Photography: “America: Fall From Grace.”
This is the first post in a series: “Anthony Suau on The Great Recession.”
In January, the annual North American International Auto Show was held in Detroit. Traditionally it is one of the gala events of the year, but today it exemplifies how far apart the advertising is from the economic reality. One new Mercedes was shrouded in luminescent fabric; doubtless the designers dreamed of creating something very beautiful, modern, Space Age.
Ultimately, though, it evokes an old-fashioned idea of “The Future: Tomorrowland, 1963.” Standing next to it could be the executives, maybe vice-presidents or department heads: an engineering and white-collar class proud of what they’ve built. But it also looks like they could be at a funeral.
Is the reality a revelation emerging from its cocoon, or a clunker in a coffin?
The men in dark suits are Chrysler executives. When they spotted Anthony photographing them, as he relates, “the guards told me to leave the area, possibly because they were checking out the competing Ford exhibit. They did not look happy.”
Then, there is your American family: Man, woman and child simultaneously walking toward and away from the light. The guy is wearing a baseball cap; she came with her baby. They’re at a crossroads, ambiguous where they, and we, are headed. Will the auto companies recover and build a new generation of electric, fuel-efficient, and reliable cars? Or is it all heading into that trashcan?
–Alan Chin and Michael Shaw
PHOTOGRAPHS by ANTHONY SUAU / facingchange.org
Captions: DETROIT, MI: January 15, 2010 The Charity preview evening at the North American International Auto Show at the Cobo center in Detroit. The gala is the biggest party of the year in a town that lives and dies by the auto industry. The event saw men in tuxes and women in gowns that were eye-catching. In all between 7,000 to 8,000 attended the event.
NEXT: Death Of A Good Job
Originals Archive Archives
January 6, 2015
Sarah Stacke’s “Love From Manenberg”: Making Strong Bones
December 21, 2014
Ode to Light: Making Street Photography in a Cynical Age — by Amy Touchette
November 11, 2014
Sarah Stacke: Mothers of Manenberg
September 16, 2014
Sarah Stacke: Love From Manenberg
July 10, 2014
David Schalliol from Chicago: On the South Side, as in Detroit, Rumblings of Something Different
June 17, 2014
When Photographing Is Forbidden: Making Portraits in the McCarren Park Pool Locker Room by Amy Touchette