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July 9, 2009

The Third Crusade


by contributer John Lucaites

The “Summer Surge” has begun in Afghanistan, though more with a whimper than a bang if we measure it in terms of media attention. The death toll creeps higher each day, but one has to search hard to find any mention of it. The stories that do appear on a war that is now eight years old (and counting) tend not to be headline fare in most U.S. news outlets, and those stories that do appear exude something of an everyday, taken-for-granted quality about the whole matter.

While news stories seem lacking, there have nevertheless been a small number of slide shows cropping up at various news outlets (here and here, for example) over the past several weeks.

What marks these slide shows is their almost singular banality as they repeat over and again the same, tired, visual clichés for representing war that we have become accustomed to in recent times: tight close-ups of marines—in many cases young boys trying to appear like hardened veterans—expressing intense and stern determination; images of U.S. troops preparing to do battle or returning from battle or approaching and searching what appear to be empty villages or fighting the boredom of war or playing games with local children; photographs that feature the advanced technology of U.S. warfare, including weaponry, night vision capabilities, and so on.

Rarely and only occasionally do we see some actual fighting—and perhaps for good reasons—but on the whole what we are shown are stock pictures we have seen before and but for the fact that they emphasize a desert locale, there is nothing particularly distinctive about them. In short, there would appear to be no news here.

And yet, for all that, it would be imprudent to ignore what such visual displays show us and how such “seeing” contributes to normalizing our understanding and attitudes about the war. The photograph above led off a recent slide show of forty seven images at the Denver Post website titled “Marines Pour Into Afghanistan.” One might imagine such a slide show beginning with photographs of marines parachuting from planes or embarking from helicopters, literally “pouring into” the Afghani countryside, but instead of emphasizing the activity of the headline caption we encounter an anonymous and relatively passive soldier.

That the image crops out the face and head of the soldier does more than just accent his anonymity as a cipher for the U.S. military, for the photograph is shot as if literally from his point of view. Notice how the camera locates the viewer in the physical space of the soldiers’ head and eyes. We see what he sees—or what we might imagine that he sees if he were to hold his gaze—and thus the photograph coaxes our identification with his very being by suturing our vision with his.

And what he/we see, of course, is the Holy Bible, which sits at the very center of the image. And more, along with the hand that holds it, it is photographed as if in a portrait, where the face is in sharp focus and all that surrounds it is softened so as to direct and hold our attention on the main object. One might think of the photograph in this respect as one more cliché of war rhetoric, an aestheticized visualization of the old saw that “there are no atheists in foxholes.” But of course the conflict in Afghanistan is at least in some measure a religious war, and as such representations of the Holy Bible take on a much larger significance. Here, it is not just a symbol of comfort for those in harms way—though it may certainly be that—but poised at the beginning of the slide show as it is, it frames the meaning of all that follows.

But what is that meaning?

We get something of a clue by attending to the brief narrative paragraph that precedes the above image where it quotes the commander of the 2nd Battalion, 8th Marines as he speaks to his troops as they are about to embark on their military mission: “You’re going to change this world this summer and it starts this morning.” The name of that mission is “Operation Khanjar, or Strike of the Sword.” Now look at the photograph one more time and notice that the Bible holds the place where one might otherwise imagine a weapon—a rifle, or in an earlier epoch, perhaps a sword—particularly in the hands of a Marine about to occupy hostile terrain.   Yea, though I walk through the valley of the shadow of death …

There are other ways to interpret the photograph, to be sure, but the point here is that the photograph needs to be interpreted. And this is all the more so when the images shown by such photographs appear to be all too normal and ordinary, or when they beckon our identification all too seamlessly.

(Cross-posted from No Caption Needed)

Photo Credit: Joe Raedle/Getty Images

  • MS

    I’m concerned abt reports that the military invites Christian evangalism – as shown by the Bible image here. I’ve heard that military brass and troops are exposed to prayers, religious enthusiasms, questionning of any with non-Christian beliefs.
    Scarey to consider that the military could be veering in the direction of being controlled by a religious minority.

  • thirdeye pushpin

    what strikes me is how thin the bible appears to be…I am wondering what parts are missing

  • jtfromBC

    Onward, Christian soldiers, marching as to war, with the cross of Jesus going on before.
    Praise the Lord and Pass the Ammunition.
    Yea, though I walk through the valley of the shadow of death
    I shall fear no evil for I am the meanest son of a bitch in the valley.
    Khanjar or Operation Strike of the Sword – begins 3 July in Afghanistan
    taking liberty with William Blake
    Bring me my bow of burning gold:
    Bring me my arrows of desire:
    Bring me my spear: O clouds unfold!
    Bring me my chariot of fire.
    I will not cease from mental fight,
    Nor shall my sword sleep in my hand”
    Until I have delivered democracy,
    to another Godless land.

  • bystander

    You might be interested in the piece done for Harper’s Magazine by Jeff Sharlet for their May 2009 issue entitled Jesus Killed Mohammed: The crusade for a Christian military. If the link presents you with a pay/subscription wall, it is definitely worth a trip to the library.

  • Jason

    The soft edges and romance of this image resemble a photo shoot more than a “war photo”. Maybe this man was preparing to marry an American soldier to “local gal”; we have no reference. I doubt that’s the case. As Americans these soldiers have the right to carry their message with them? I look at this man’s hands and wonder his age? On a bet I’d say 26 to 48. Could this service member be closer to retirement than enlistment? I hope the “subject” remains out of harms way.

  • Lucaites

    Jason: Your comment about the aesthetic of the image is correct. But if you go to the slide show I reference you get this caption:
    A U.S. Marine of the 2nd Marine Exhibitionary Brigade, 2nd Battalion, 3rd Marines holds a bible during a Protestant church service on June 28, 2009 in Delaram, Afghanistan. The Marines are part of a stepped up effort by American troops fighting Taliban fighters in Southern Afghanistan. (Photo by Joe Raedle/Getty Images).
    No marriages. Just mayhem.

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