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October 11, 2007

Your Turn: ‘08 Uncoverage

Radar-Politics-Cover

Because it's Friday, and because I haven't been leaving much room for the readership lately, I'm turning this entirely over to you.  (Regular lurkers, here's your chance.)

Without delving into the image at all, I just wanted to make a pitch for its legitimacy as characterological commentary.  Because RADAR is operating beyond the political fringe, they have — and have grabbed — the license to wildly mess with, exaggerate and contradict public identities as well as underlying personality.

Considering the Washington realm is every bit as concerned with packaging, surface, sexual and gender politics, seduction and entertainment as the entertainment world is, I say bring it on.

Of course, playing off the original VF Ford/Knightley/Johansson cover means that, as an analogy, some things will hit and others will miss, often badly.  Still, I think there is excellent mining to do here. I'm both interested in your take on the candidates alone, as well as the dynamics (or lack of such) between them.

(And then, in light of this cover, isn't it funny how Hillary just told Olbermann: "It's kind of nice to have all these men obsessed with you.")

To get started, Rachel Sklar at HuffPo zero's in on Obama's treatment:

Obama … comes off worst, smooth and feminine and clearly not part of the conspiratorial whispering going on quite literally over his head. Sort of not something that emphasizes his raw strength as a candidate — a message that targets one of his weak spots. Whether or not that was intentional, that's an element Radar captured surprisingly effectively.

(image: Radar Magazine by way of Annie Leibovitz/Vanity Fair.  November 2007)

— UPDATE 9:45 AM PST —-

Reading through the initial comments, I realize I did a disservice to the analysis, and the community, by making this cover strictly about character.  The fact is, this cover is mostly relevant — which I strongly believe it is — from the standpoint of politics.

The following blurb from the Photo District News blog picks up on the racism/sexism here, but more astutely, it sniffs out the admittedly harder-to-focus on political/right-wing element.  It reads:

What does it mean that Giuliani the only white male of the bunch is wearing more clothes than his female and black counterparts? Do Hillary and Obama's lack of clothing suggest they're more vulnerable than Rudy? Or are they just vulnerable in the suddenly seductive adulterer's presence?

I'm wondering if the dismissive reaction to this cover, from FOX to the NYT (and even here, too — perhaps the only place on the web which places visual-political semiotics above all else) has to do with the kind of ugly truth that only surfaces out of crude or crass humor.

At the "top level," what is most troublesome here it how simple bad taste turns us against this content — obscuring how hate and gender stereotyping are the ultimate weapons when politicians ply them.  With that point in mind, what actual information does our distaste or revulsion get in the way of here?

The PDN comment (they look at pictures constantly; they pick up on these thing) is smart to focus all of its attention, in each of its three different sentences, on Giuliani.

The key "data" (which makes this cover "worthwhile" to discuss at all) involves the type of dirty, insidious right-wing memes that the Rovians use everyday — many of which are foreshadowed here and will be flying everywhere if Rudy beomes the GOP nominee.  (We saw an early trial-balloon a few weeks ago, by the way, when a Giuliani web video tried to take an early bite out of Hillary, testing both the "unpatriotic" and "flip-flopping" memes.  And then, also note the exposure The New York Times gives to the predatory Giuliani when an attack in that form, in a more garden-variety form of crass.)

Here's what I think PDN is really getting at:

If you thought that Team Giuliani would primarily base its campaign on paranoia and hate of "them over there," think again.  What RADAR breaks to us, I believe, is the way in which Rudy's infidelity and philandering will be characterologically packaged and reframed into a praiseworthy (nation-protecting) form of aggressiveness.

To that extent Hillary is as tough as Rudy is, however (and not the "woman" they turned Kerry into, and the kind of extreme softy RADAR — in another act of Rovian foreshadowing — turns Obama into), you can expect a more (sexually) vicious battle to emerge if both Rudy and Hillary, in their respective party wars, "come out on top."

On those terms then, the fact that Hillary is recast as young, sexually empowered and only mildly amused by Rudy's aggressive advances means that she's got her own power — certainly a good bit derived from her gender — to draw on, and she's not going take any shit.

…Obviously, there is more political interpretation to be made here on sexual/gender stereotyping turf.  I just wanted to get the post, and any ensuing discussion, on a more substantive track.

  • tarbaby

    well, “run-run-run, just as fast as you can…you can’t catch me…i’m the gingerbred man.” (?)

  • demit

    But—why? Why are naked bodies ‘characterological commentary’? If we’re supposed to think Wow, naked ambition, I get it…well, that’s pretty corny.
    Politicians ARE concerned with packaging, surface, etc, as you say, but it is not their bodies they’re selling. This cover isn’t saying anything. It’s sophomoric. And, considering that everybody and their uncle can use photoshop these days, really trite.

  • tina

    The non-white man and the woman are stripped. The white guy gets to keep his clothes on, and is not pornified. How typical. Eh.

  • gabriela

    I like it. It demystifies these icons.
    The more the press “strips” them with coarse indignities, the less chance there is for a fatal blow to arrive out of left field at an inopportune point in the election. Kind of the Brittany Spears of Paris Hilton theory of humanization. They have been knocked off their pedestal long ago. It is much easier to regain your height if you are already at ground level than if you are soaring above the clouds. The Icaraus Complex. Ask John Kerry about this one, with his Swift Boat humiliation.

  • catfood

    Comparing them to movie actors is apt, the roles they play are equally contrived.
    In terms of execution, there might be a slight problem with scaling. They all (particularly Hillary) look like pinheads. I suppose that might also have been intentional.

  • karen

    yuck. Interesting that they didn’t match the size of Clinton’s head with the body they pasted her onto.

  • Kris T

    Even though the Guiliani body has his clothes on, he seems even more sleazy to me. I bet the photoshopper didn’t have to look far to find a picture of him looking so naturally secretive and sleazy at the same time. Hillary’s expression seems more telling than the body she’s pasted on–she looks like the cat that just ate the mouse. And Obama’s far-off expression and contrived posture make him look stoicly uncomfortable–pensively brooding. Interresting how the actors on the original cover don’t look uncomfortable in their postures.

  • demit

    Kris T, the actors on the original cover don’t look uncomfortable in their postures because they are wearing their own natural heads.
    I can’t believe the ascribing of intent and/or feelings of the principals whose heads—no, the PICTURES of whose heads—are pasted onto the PICTURES of other peoples’ bodies. We might as well start discussing again Murphy Brown’s out-of-wedlock baby, or how Jack Bauer is a hero and HE believes in torture. It’s the same level of reality.

  • Gahso

    Obama as “black man” and Hillary as “woman” — aren’t these the primary qualities of these presidential candidates at this point in American history? This strips them down (and dumbs things down) to the most basic element.
    Rudy keeps his clothes on because we’ve had white men in the office since day 1. He comes off as the “pimp” for these two which is seriously odd, though.

  • Gahso

    demit – I agree in principle that confusing the actors with their roles is idiotic, but if Keefer Sutherland doesn’t know he’s promoting the right wingers by portraying “ok torture” then he’s an idiot who’s being used…

  • demit

    Well, Gahso, here we are conflating politicians with not even actors, but with the BODIES of those actors. I recognize that the argument is supposed to center on the satire the artist has created, the parodying of a (supposedly) familiar image. In advertising we call that ‘borrowed interest’, and it is used to get easy, fast attention. In editorial commentary, however, there has to be some substance behind the choice. Whatever meaning the original image had is now divorced from the actors depicted; the original people are literally disembodied, context is lost, no parallel can now be drawn. It is an empty image. This is why people are coming up with what can be read into it. There’s nothing there—save for the trite device of heads-on-different-bodies montage.

  • The BAG

    As I mention in the update I just added, I did a disservice to the readership in my original post. In trying to lighten my load heading into Friday, I was trying to leave any and all reaction to you. In setting it up, however, I ended up directing the focus toward character at the expense of politics. In reading through the initial comments, I realized this was ridiculous and that the merit here — to the extent you agree with me this public artifact bears merit — is in the political dynamics, the sexual/gender stereotyping and the bald (if unintended, more Brittney-and-Paris genre) truth-telling.
    The energy and insight you bring to The BAG is too thoughtful for me not to “set a proper table.” Sorry about that.

  • http://mojowire.blogspot.com/ s9

    Another right-wing trope this image promotes is a basic anti-intellectualism in politics. By objectifying these political candidates in sexually suggestive image hacks, it reinforces the message that people should choose the President of the United States the same way they choose who to approach for casual sex, which— let’s be honest— is not generally an intellectual activity.

  • http://www.neilcavanagh.com Neil

    The image suggests to me a metaphor; for all the showboating and rhetoric about right/left, black/white, male/female in politics – behind closed doors, they are all in bed together, playing the same games.

  • margaret

    Frankly, I’m relieved that they didn’t put Edwards on the cover, too. That would have really changed the meaning. I think Neil, above, is on target. These three are “in bed” together with the guys who “brung ‘em.”

  • MadameGonzo

    ungh!
    a foretaste of the tastelessness all women will have to bear for our first female President :(
    caricature : “comes from the Italian caricare, “to load”, i.e., the caricaturist’s aim is to invest his image with as much meaning as possible… experienced its first successes in the closed aristocratic circles of France and Italy, where such portraits could be passed about for mutual enjoyment… This aura of privilege (for both those depicted and those viewing the caricature) passed on to England during the middle of the 18th century, when caricature enjoyed its first wave of popularity… the art form gained further popularity in the early 19th century, when satirical drawings of politicians and local celebrities would be printed in newspapers… Politicians, media stars and sporting celebrities remained the main targets…
    Monsieur says : “only in a [American] culture where abstinence is rationalized, would nakedness be seen as revealing.”

  • Mrs. D

    I find it most interesting that Rudi is the only one with clothes on and seems to be soliciting the Hillary figure.
    I guess the very thought of him bare would not have sold many magazines, but I think the real message is Rudi is suffering from a big case of vagina envy.

  • The BAG

    Mrs. D: I might still write these up at a later date, but you are familiar with this and this, no?

  • RobW

    The more the press “strips” them with coarse indignities, the less chance there is for a fatal blow to arrive out of left field at an inopportune point in the election.
    Posted by: gabriela | Oct 12, 2007 at 07:05 AM

    Indeed. As minorities, they are vulnerable (naked) and the press will strip them in a way that Guiliani will not be. His clothing is his privelege. Any stripping will be limited to an open shirt- which isn’t really stripping at all, but merely emphasizes his sexual aggression.
    If this portends Rudy’s strategery, to play off the infidelity, etc. as manly aggression, which necessitates emphasizing Hillary’s femininity (what better way to do that then whisper suggestively in her ear), then Hillary’s response here is priceless.
    Her bemusement suggests “Why on earth would I be into this piggish old prick when I’ve got this lying next to me/on my side?”
    Or perhaps it suggests that she is listening to the sleazebag? Maybe not to Rudy exactly, but to the wing he represents, a reflection of her image as a triangulator?
    Obama, meanwhile, is not paying any attention to the chatter/flirtation/whateveritis that’s going on behind his back and over his head. He doesn’t care about it. He’s focused outward on the viewer, on us, the people. His position beneath Hillary is a reflection of her status as frontrunner.

  • 14All

    I’m sorry, but my most overwhelming emotion on viewing this image was relief that Guiliani was not portrayed naked.

  • Johanna

    The person whose portrayed nude body differs the most from what we can suppose the real one to be, is Hillary. There is no body ascribed to Rudy, and Obama’s is an idealized version of what his might actually be. But there is absolutely no connection between the youthful body on Hillary’s head, and the real body she must own. To me , this stands as the image of how much the press beautifies and flatters her.

  • http://solarray.blogspot.com gmoke

    Hillary Clinton is the only one meeting the viewer’s gaze. The expression on her face seems to be saying, “Can you believe these guys?”

  • Cactus

    He nailed Rudy for the sleaze-bag he is…..looks slimy and conspiratorial. And let’s face it, Hillary is a flirt and a tease. She promises more than she is willing to give up. It’s poor Obama that comes off looking like a baby on a bearskin rug wondering what the hell he’s doing there.
    That the only one dressed is the white male is exactly in keeping with the male art tradition throughout history. Think of all the ‘picnics’ and ‘frolics’ you’ve seen in any museum of any art well into the 20th century. ALL males are dressed. ALL males were the artists. It’s the power position and the male mind just assumes that’s the way things are. I know someone is going to come up with an example, but it will be the rare exception. Even in today’s porno flicks one never sees full frontal male nudity unless in gay porn. I don’t know who the editor is and I don’t know anything about RADAR magazine. But I’ll bet the editor is male and it would never occur in a million years to make the dressed whisperer Hillary. And it’s no accident that the black male is in a slavishly submissive position. Racism is rearing it’s ugly head in this election because B43 has given it free reign.
    This cover is also showing that males sexualize women in order to take away any power they may have. And the black slave is not even worthy of notice, groveling on the floor. So, c’mon, guys, admit it: This is the way the world is for white male chauvinists and any other view is anathema. Yes, it’s ugly, but Limbaugh and his dittoheads see it that way and want it that way.
    Incidentally, I don’t think Rove is off spending time with his family. I think he is up to even more and dirtier tricks which, out of the WH, he hopes, has ensured, will ride under the radar (no pun). No emails to be checked, etc.
    Now, I’m going to read all the other comments.

  • http://www.bartcop.com bartcopfan

    I think I’m pretty much w/ Cactus on this.
    Clothes = power.
    Crap, think about the language even: power suit v. birthday suit.