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March 21, 2007

Our Own Media: Going Forward

Two weeks ago, I launched an effort to help bring political imagery directly into the public sphere.

The purpose of "Our Own Media" fund is to help support and subsidize the socially committed, traditionally underpaid and inherently visionary photojournalist.  The goal of the effort — in addition to bringing more political content to the site — is to establish a precedent for the grassroots, independent support of social/political photojournalism and to strengthen the progressive blogosphere as a platform and forum for this vital imagery.

I want to thank Digby for his support, as well as several progressive blogs — including Crooks and Liars, Brad Blog, Majikthise, Tattered Coat and Hughes for America  — that have donated free advertising space to promote the fund.  (If you’re interested in supporting Majikthise, by the way, which you can contribute here.)

Primarily, though, I want to thank the over 100 of you who have already donated.  So far, we have raised over $8,500 out of what I consider an achievable goal of $30,000. 

If you are part of the 90% of The BAG’s regular, daily readership that hasn’t donated yet (or just a fan), and you’re capable, I ask that you please go to the "Our Own Media" fund page and click on one of the contribution buttons (or mail in a check to the address) at the bottom of the post.   

So, what kind of impact is the fund already having on The BAG?

Besides increasing my coverage of original ("non-newswire") imagery,  I’m now working with a handful of photographers to adapt extended material for the site.  In the next six to eight months, I’m especially interested in testing how far one can push the blog format as a story-telling medium. 

Also, your help is enabling me to work more closely with existing contributers, Tim Fadek and Alan Chin, and also invite a few more regular contributers to the site. 

If you hang out at The BAG, I’m sure you remember the "Oh (Chinese) Christmas Tree" post from this past December.  That entry, dealing with how the Chinese market Christmas in Africa, featured the work of a talented young Spanish photographer named Héctor Mediavilla. 

While teaching photography in Congo several years ago, Héctor came upon a subculture of men who derive their lifestyle and sense of well-being from elegant comportment along with the import of fine French clothing.  This subculture — known as the "Sape" (which stands for the Society of Ambiance’s and Elegant People)– extends back more than four generations.  Until Héctor came upon the society, however, it was virtually unheard of outside Congo, even in France. 

Because the Sape look up to Western culture and many Sape have immigrated to France (with mixed results), their story offers a compelling and practical lens through which to view the larger issues of globalization, migration, identity and race.  Looking at the Sape historically, at present, as well as forward, into the future, I’m excited to offer this story in extended and serialized fashion along with my welcome new contributor, Héctor Mediavilla.

(Regarding the show:  This presentation was adapted from "Le Parisian Kiboba" (The Old Parisian), a video by Héctor Mediavilla.  The slide show was created by The BAG as part of an ongoing experiment into visual, blogospheric storytelling.  If you wish to comment on particular stills, you can refer to them by number.)

  • tina

    BAG–This looks like a very exciting and interesting series. I am excited about it.
    Can you tell us a little more about how exactly the Sape make their living? What proportion of their income these garments represent? Do they “dress up” all the time, for everyday, or only when they are with other Sape members? Is it really a formal society?
    Sorry so many questions, but I have never heard of them before and know nothing. Thanks.

  • http://fuming-mucker.livejournal.com Darryl Pearce

    Well, I mail a check to the post office box but it hasn’t been cashed yet.
    ~ ~ ~
    With six-and-a-half billion people on the planet, there are going to be many, many more stories about small groups with remarkable behaviors. I was reminded of the movie “The Gods Must Be Crazy.”
    God will need an eternity to experience …everything.

  • http://molly.douthett.net lowly grunt

    Does anyone else think of birds in the wild flashing their bright colors for a mate?
    Humans are the same the world over!

  • Héctor Mediavilla

    I first went to Congo in 2004 to teach local professional photographers in an Art Program from the European Union. Congo it is not a cheap place to go so, as we usually do when we have a good chance like this, I decided to stay a few more weeks to photograph a story.
    I had just one clear idea: I wanted to show some aspects of Africa everyday which are far away of our stereotypes of war, hunger, diseases, tribes and animals. Despite all their problems they still do their best and try to live their live with hope. And they also have their small victories.
    I believe those major problems of the African continent should still be documented but my personal interest goes beyond. So I started to look for my story… but it was not easy… nothing really interesting came out til I met a local woman told me about a place that was a petrol station the working days while it got transformed into a kind of disco bar where some people who dressed bizarre came.
    I thought it could work: some sort of African recycling. The place was called La Detente.
    But a couple of days later a taxi driver told me that that place did no longer run as a petrol station, it was a restaurant now and there was a live orchestra on Sundays. I have to say I was rather dissapointed but I decided to go anyway to see what was going on there.
    So Sunday afternoon I went to La Detente which is in the Bacongo neighbourhood of Brazzaville, I had luch there and after 17 h people started to come. Bar woman had told me that those people who dressed weird where actually very elegant and they were called sapeurs. They used to show up about 18:30 h.
    So I waited, I felt the place and here they were, a group of 4, Lamame in front with his pipe, his can and his eye patch. They enter the place showing off while people regarded at them.
    Then I took my camera and asked if they didn’t mind…

  • Joes

    Bit childish really.
    What about a critique? What about evaluating how they compensate for powerlessness, with extravagant sartorial statements?
    Its not so unusual in black society – they call it “bling”, and it involves very crude demonstrations of wealth with, if possible, large amounts of gold.
    What drives people to have such a superficial sense of themselves, taking a common sociological factor- yes, clothes have a significance for ALL of us – and exaggerating it so far it becomes vaguely comedic.
    Sorry for bursting the bubble – but I’m not very impressed with journalism that fails to THINK.